Five For Fighting

The only way for a story to progress is to turn the page. John Ondrasik— the songwriter and performer known as the platinum-selling, Grammy-nominated, Five For Fighting—knows this well. In the two decades since his first major single, “Superman (It’s Not Easy),” hit the stratosphere, the artist has both evolved and come back ‘round full circle. Creativity, if nothing else, is paradoxical. To date, Five For Fighting, has released six studio LPs, including the platinum certified America Town and The Battle for Everything; and the top-10 charting Two Lights, along with an EP and live albums. Ondrasik has penned major hits, including the chart-topping “100 Years,” “The Riddle,” “Chances,” “World,” and “Easy Tonight,” which have earned over one billion streams and place him as a top-10 Hot Adult Contemporary artist for the 2000s. The reflective “100 Years” has joined “Superman (It’s Not Easy)” as part of the American Songbook and continues to stand the test of time at weddings, birthdays, graduations, memorials, and many a home video. Five For Fighting’s music has also been featured in more than 350 films, television shows, and commercials, including the Oscar-winning The Blind Side, Hawaii Five-O, The Sopranos and the CBS drama, Code Black. Referencing Fight For Fighting’s success in the 2000s, AllMusic called Ondrasik “one of the decade’s leading balladeers.” But perhaps his biggest achievement is performing “Superman (It’s Not Easy),” at the 2001 Concert for New York, a benefit show at Madison Square Garden that honored first responders and the fallen about a month after the tragic September 11th attacks. Ondrasik performed alongside other big-name artists like Paul McCartney, The Who, Elton John, Billy Joel, and dozens more. Says Ondrasik, “It was a surreal experience. I was honored and blessed to pay tribute to the heroes who ran into those buildings at ground zero, and hopefully, through a song, provide a little solace to family members who’d lost loved ones.” Now, though, what once was a dream is a reality. Buoyed by his unique falsetto voice and his prowess on the piano—a skill bestowed to him by his piano teacher mother—Ondrasik has made a solid reputation for himself in the world of songwriting and performance, selling upwards of three million albums over his career. Not only does he tour with his popular string quartet and play solo and rock band gigs, but he is also a high demand keynote speaker in which he combines themes of creativity and innovation with his business acumen. Along with his father, he has managed the family business throughout his musical career. As Ondrasik happily puts it, his company, Precision Wire Products, “makes the best shopping cart in the world!” He’s presented at TEDx, The Salk Institute, American Cancer Society, and dozens more. Perhaps being the son of an astrophysicist dad and having a degree in mathematics from UCLA has something to do with it. “Math was the Plan-B to get a real job when the music thing imploded,” says Ondrasik, with a chuckle. But that doesn’t mean he wasn’t always a student at heart. As he wrote songs in his late teens and early 20s, the Los Angeles-born Ondrasik studied his favorite rock vocalists. Finding out that singers like Freddie Mercury and Steve Perry studied classical voice, he did too, even seeking out some of those icons’ former teachers. No stone unturned. In September of 2021, Ondrasik released the powerful, “Blood on My Hands,” a protest song that takes a non-political, moral stance against the 2021 United States chaotic withdrawal from Afghanistan. While he’s well-versed in politics, he isn’t of a bickering mindset. For Ondrasik, it’s about the conversation. “Blood on My Hands,” the track, accompanying acoustic version, and docu-music video, “Blood on My Hands (White House Version),” has had millions of streams to date (despite little-to-no radio play). Like other protest songs of the past— “Ohio” by Crosby, Stills, Nash & Young or “The Times They Are a-Changin’” by Bob Dylan—Ondrasik aimed to point out a problem. While it’s critical of President Biden’s administration, he says that if a Republican were President, the song would remain the same, only the names would change. Thanks to the song, years later, Ondrasik is still working with evacuation groups that strive to help the American citizens left behind in Afghanistan by the U.S. government, as well as the Afghan people who remain there largely under the threat of terrorism. It’s a difficult, and at times a polarizing subject, but it’s one Ondrasik is not shying away from. Not because of any politics or partisan pats on the back, but simply because he knows it’s the right thing to do. Ondrasik notes, “There has been a tradition of musicians speaking truth to power. In the current tribal culture, our freedom of expression has never been more critical.” In 2022, Ondrasik released “Can One Man Save The World?” with a powerful companion music video, featuring the Ukrainian Orchestra filmed in Ukraine. The song, inspired by the courage of President Vladimir Zelenskyy and the people of Ukraine, asks the nation, and the world, to stand up for core values of freedom and justice. Moved to action that extended beyond songwriting, Ondrasik entered an area, outside of Kyiv, that had seen heavy combat shortly after the Russians pulled back from the capital with an American production crew. “I was honored to perform my new Ukraine tribute song Can One Man Save the World? with the Ukrainian Orchestra in the ruins of the Antonov Airport – in front of the Ukrainians’ beloved Mriya, the world’s largest cargo plane that Russia destroyed at the outset of the war,” said Ondrasik. “In sharing this musical collaboration on such hallowed ground, I saw firsthand the fortitude and grace of the Ukrainian people, who whether playing a violin or driving a tank, will not be deterred by Putin’s atrocities and aggressions.” Proceeds from the single and its companion video benefit the NGO Save Our Allies and further its mission of providing humanitarian aid to Ukraine and Afghanistan. Recently, Ondrasik released the song, “OK,” along with a heart wrenching documentary music video that speaks to the Hamas attacks on Israel of Oct 7th, 2023, and the cultural aftermath both in the United States and around the world. “On October 10th, 2023, the Mayor of New York City, Eric Adams, made a powerful speech, decrying the celebrations of Hamas massacres across New York City. His words of conscience, “We Are Not Alright,” begin my new song and music video, “OK,” which addresses the barbaric Hamas October 7 attacks in Israel, and the global fallout that resulted. Such is the theme of this song. In short, “We Are Not OK.” The “OK” (We Are Not OK) video has impacted globally with millions of streams. On April 13th, 2024, Ondrasik performed “OK” and “Superman” at “Hostage Square” in Tel Aviv for hostage families, and the nation of Israel, hours before Iran launched its missile attack. A Wall Street Journal feature headlined “A Lone Voice Sings for Israel” recognized Ondrasik as one of the few artists in the music industry to condemn Hamas and publicly call for the release of the hostages. Say’s John, who is not Jewish, “Something’s deeply wrong in the culture when people can’t come out and say that what happened on Oct. 7 was evil. No context. No buts. How did we get to a place where our music stars can’t condemn pure atrocities?” Throughout his multi-decade career, which began when music publisher Carla Berkowitz (now his wife of 25 years) discerned him in a dive bar, Ondrasik has been involved in multiple charity efforts. Along with supporting the troops via multiple USO tours, Ondrasik created “The CD For the Troops” project with song and comedy compilations featuring artists like Billy Joel, Melissa Ethridge, Chris Rock, and others, gifting more than one million CDs to veterans and military families. John has also been deeply involved with the ALS charity “Augie’s Quest.” and is an ambassador for his pal Gary supporting the Gary Sinise Foundation. While he may not be as obsessive as he once was—writing upwards of dozens of songs per month, Ondrasik is more focused today. He knows who he is, as an artist and as a human being. His is a career molded by light and darkness. At one point, he’d been looked over by every publishing house and label out there. At another, he had one of the biggest songs in the world. Those extremes give a person perspective. “I’ve been incredibly blessed,” he says. “I still pinch myself.” As Five For Fighting, which is a professional hockey term designating a five-minute penalty for fisticuffs on the ice, Ondrasik has also developed a close relationship within the world of sports. He was a contributing writer for Sports Illustrated as well as for his beloved Los Angeles Kings. Five For Fighting was one of the first musical artists to perform on ESPN’s SportsCenter, and has played The Daytona 500, Monday Night Football, The Heritage Classic, the L.A. Kings outdoor hockey game, and more. Recently, John performed a version of 100 Years for CBS sports celebrating “100 Days to the Superbowl” and is routinely featured in Bally Sports broadcasts at the start of L.A. Kings hockey games. “Singing from home plate at Dodger stadium,” Ondrasik says, “where, as a five-year-old boy, my dad and I would catch bleacher bombs during batting practice—that was a dream.” Today, Ondrasik spends his time writing music, touring, working at the family business, supporting various charities, and enjoying life with his wife, two children, and dog Ender. Through “What Kind of World Do You Want,” Ondrasik’s charity driven website – WhatKindofWorldDoYouWant.com – he has raised funds for Afghan evacuation organizations, refugees and Augie’s Quest to cure ALS. He continues to support Save Our Allies and the Ukrainian people through “Can One Man Save the World”, multiple charities fighting antisemitism globally, and looks forward to returning to Ukraine and Israel in the near future. What motivates him musically now? His latest three songs tell the story. He wants to promote dialogue. He’s set to speak his mind, with words, melody, and conviction. Ondrasik doesn’t shy away from nuance. He embraces it and seeks it – just as he does the next chorus, the next verse, all the while searching for a bridge. It’s what artists and freethinkers do, after all. It’s his gift to share.His decided obligation, too.

Lace & Lee

Lace & Lee is a folk rock duo heavily influenced by the mystical wisdom of 60s and 70s storytelling, with a twist of humor and bard-like prose. Caroline Lace and Olivia Lee began their musical journey at NYU Tisch, and have since toured with Five For Fighting. Their ethereal vocals and risky harmonies carry the spirit and charm of Celtic music, often holding a mirror up to the 21st century.