The Robert Cray Band: Out Driving Around Tour

Blues icon. Soul man. Rock and roller. Robert Cray is all these things–and more. The Georgia-born, Washington-raised musician first picked up a guitar after seeing The Beatles on TV then, having witnessed Jimi Hendrix perform in Seattle, determined that his destiny would also follow a similar path. And so he has: across the past half century Robert Cray’s developed into one of American music’s most singular artist

"I guess you'd have to say that we were lucky," reflects Cray on his life in music, "because, growing up in the 1960s, the different music played on the radio really opened us up. I mean, we even had Albert Collins play our high School graduation party."

From forming a teenage garage band, through to striding the stage alongside several of the world's greatest guitarists, Robert Cray's story is one of struggle and commitment. Struggle and commitment that led to Cray enjoying phenomenal success - selling millions of albums and countless concert tickets, winning five Grammy Awards, being inducted into the Blues Hall of Fame, recipient of the Americana Music Lifetime Achievement Award, designing two signature model Fender guitars - yet for Robert what's always mattered most is the music . Every note he plays counts, every song he sings is delivered as if it is his last: integrity and intensity are what has guided Cray's musical career. He has never cheapened his output or delivered a substandard performance. Indeed, his commitment to making music of the highest standard has won Cray both a loyal audience and the respect of many of popular music's most legendary figures.

Think about it: Robert Cray has shared stage and/or studio with the likes of John Lee Hooker, Muddy Waters, B.B. King, Buddy Guy, Chuck Berry, Albert Collins, The Rolling Stones, Eric Clapton, Tina Turner, Stevie Ray Vaughan, the Memphis Horns and Hi Rhythm Section. Cray's stinging guitar playing and soulful voice, his skills as a band leader and performer, mark him as keeper of the flame for American roots music, an artist who never fails to deliver.

“We were so lucky just to be able to see them,” says Cray of trading guitar licks on stage with legends of blues, rock and soul, “let alone share the stage with them- what an experience!”

Cray’s rise to the tope was, like his music, a slow burn, he first built a following in small towns across the Pacific Northwest. Even before Cray had a record deal he enjoyed local hero status – so much so that in 1978 he was cast (as a musician) in Animal House , the blockbuster comedy that made Jim Belushi famous. 1978 was also the year Cray recorded his debut album, Who’s Been Talkin’ , although Tomato Records’ internal problems held up the release until 1980. And then, just as Talkin’ was winning great reviews, Tomato collapsed into bankruptcy. Got The blues? Youn Robert certainly could have claimed he had them. But Cray isn’t given to complaining, instead he persevered, committed then, as he is now, to taking his music to people.

After Tomato became music biz ketchup, Cray and his band- today consisting of Richard Cousins (bass guitar- there since the high school days), Dover Weinberg (keyboards) and Les Falconer (drums)- used the momentum the album gave them to play further afield. By now Cray was buddies with a young guitarist from Texas: Stevie Ray Vaughn.

“We played in 1979 at the San Fransico Blues Festiva;,” recalls Cray, “and I watched Stevie’s show and he’s just smoking. Afterwards Richard and I went up and chatted with him and we just hit it off. Stevie was great- if we were in Austin he’d always come and join us on stage.”

Signing to Hightone, Cray’s 1983 album Bad Influence established him internationally: he was invited to play Carnegie Hall, toured Europe, later finding Eric Clapton recording Bad Influence’s title track. 1985 saw Cray’s False Accusations album increase his standing as the foremost singer of blues noir songs, while that year’s Showdown! - a sizzling collaboration with guitarists’ Alber Collins and Johnny Copeland won Robert huge acclimation from blues musicians and fans: The new guy’s the real deal! Signing to Mercury Records, Cray’s 1986 album Strong Persuader ensured he became the first blues / soul musician to breakthrough in the MTV era.

Strong Persuader won Cray rave reviews from pop and rock critics, topped charts worldwide, saw Cray grace the cover of Rolling Stone magazine and winning the Grammy for Best Contemporary Blues Recording in 1988. Strong Persuader , with its songs of infidelity, guilt and unease, while not in any sense conventional Top 40 music, proved so strong an album it broke through barriers, sold millions of copies and would prove extremely influential. Cray’s breakthrough allowed both young and older blues and soul musicians to gain wide attention and radio play: John Lee Hooker’s career resurrection came soon after with The Healer m and Robert plays on the seminal album.

“It was great to be able to travel around the world,” sats Cray of Strong Persuader’s success. “it afforded us a lot of great opportunities that we were luck to experience.”

Cray’s being modest here: suddenly he found himself the hottest guitar working- Tina Turner invited Rober to support her huge European tour (every night, after playing with his band, Cray would join Tina on stage to play A Change Is Gonna Come), then Keith Richards called, requesting Cray join the band backing Chuck Berry for Taylor Hackford’s celebratory feature length documentary Hail Hail Rock ‘N’ Roll. Here Cray not only got to play with the mercurial Berry (+Linda Ronstadt and Etta James, amongst the many notable artists), he also formed a friendship with Steve Jordan, then drummer for the project and Richards’ solo band.

Now internationally famous, Cray found himself in intense demand: he toured with the Stones and Eric Clapton, played with B.B King and Buddy Guy (both of whom were inspirations), headlines noted music festivals- these included Glastonbury in the UL and Crossroads Guitar Festival in the US- and kept developing his sound over a selection of strong albums across the 1990s. Cray’ s songwriting had addressed ageing, love, loneliness, domestic turmoil and US politics, while his music’s expansive vision found the like of Cajun accordion legend Jo-El Sonnier and Memphis Horns’ trumpet and saxophone masters Wayne Jackson and Andrew Love guesting on his albums.

As an artist Robert Cray’s aged like fine wine- his voice developed a greater range and expressiveness, this he’s put to use on masterful interpretations of such Southern soul standards as I Forgot To Be Your Lover (William Bell), Your Good Thing Is About To End (Mable John) and Nobody’s Fault But Mine (Otis Redding). At the same time, Cray’s guitar playing now possesses and additional depth a growl that can hint at and caress then signal emotional upheaval.

Hi recent run of albums- 2014’s In My Soul , 2017’s Robert Cray & Hi Rhythm and 2020’s masterful That’s What I Heard (all produced by Steve Jordan: now the Stones’ drummer)- are amongst the very finest he’s made. Every song here is deeply felt, whether an agonized song of loss, an angry protest number, or a dance tune that get audiences pumping (My Baby Like to Boogaloo is great funky fun).

Across five decades Robert Cray has created richly inclusive American music, revitalizing both blues and soul while rocking hard with the very best. To achieve 50 years in the music industry and still be as fresh and committed as when starting out is an achievement few can boast of but Cray can: he has released 19 studio albums, every one replete with his extremely distinctive songs, won five Grammy Awards and continues to make music that sounds like no one but Robert Cray. “All these years we have been fortunate to do what we love doing, plating the music we love playing” says Cray with a smile. “I couldn’t ask for anything more”.

-Garth Cartwright